浓郁中国风，“花的缘——王海燕作品展”将于6月10日在济南开幕

来源: 文化视界 2023-05-29 08:25:54

听新闻

花境（节选）

海燕这些年特别关注中国传统艺术，特别注重对其母体艺术、本原艺术、民间艺术的理解与思考。我一直认为中国民间文化的特质在于“吉祥”，中国的民间艺术也成为一种追求喜瑞祥和的艺术，它利用象征、寓意、谐音等手法串连出无限的意义，渗透在生活的方方面面，每一个细节，默默地发挥着自己的影响，因而这个民族才历经艰辛依然坚韧不屈，乐观向上。

In recent years, she had a particular eye for the Chinese traditional arts, especially appreciating and understanding the folk arts, the paternal forms of Chinese arts. I always believe that folk arts are rooted in the essence of “auspiciousness”. Folk art is also an art to pursuit good luck and happiness, using techniques such as allegory, symbolization, and homophony to create infinite meanings. This can be seen in every detail and every aspect of our lives, playing a part to exert influence on us all. It contributes to optimistic quality and resistance of the Chinese people through hardships.

浓郁中国风，“花的缘——王海燕作品展”将于6月10日在济南开幕

浓郁中国风，“花的缘——王海燕作品展”将于6月10日在济南开幕《雏菊与月季NO.4》创作过程

所以每一个民间艺术形象既是具象的，又是抽象的，更是意象的。它超越了个体，也超越了形象与形式本身，传达出浓缩的中国文化语汇，构成典型符号。中国民间艺术的这种特点看来深深地吸引了海燕，从汉画像石、敦煌壁画、瓷器纹样、民间剪纸、刺绣、年画中她多有涉猎。

So every folk art image is both concrete and abstract, and even imagery. It is more than an individual image, but something beyond form and image itself, a symbolic existence as a condensed expression in the Chinese art and cultural languages. This particularly attracts Haiyan. Her footsteps span from Han portraits, Dunhuang frescoes, porcelain patters, folk paper-cutting, embroidery, to New Year paintings.

浓郁中国风，“花的缘——王海燕作品展”将于6月10日在济南开幕

浓郁中国风，“花的缘——王海燕作品展”将于6月10日在济南开幕《月月花开NO.16》创作过程

因而她近些年的花卉作品充溢了浓郁的中国式风味，从构图到色彩到造型到传达的意义完全是中国化的，但却运用了西方的媒介。她不是将东西方艺术进行元素上的简单拼接，按她自己的话说，是要“运用新的寓意，来获得当代人对中国传统民间文化的经验方式”，这便成为一种意味，她的探索性也尽在其中。

Her recent flower paintings use the western medium but convey strong image of a Chinese style, from composition, color and forming. Her approach was not simply putting eastern and western art elements together, but in her own words, “to take advantage of new meanings to obtain a way for modern people to understand Chinese traditional folk arts.” It is a new way to include her experiments and exploration.

浓郁中国风，“花的缘——王海燕作品展”将于6月10日在济南开幕

浓郁中国风，“花的缘——王海燕作品展”将于6月10日在济南开幕《花空间NO.3》创作过程

她偏重色彩的感知与色彩的强烈，在创作中国化的艺术形象时如何发挥油彩的饱满、层次、弹性与质感，让二者自然融合，而不矫情造作，是她着意解决的课题。所以她笔下的梅兰竹菊、龟背生花、多子多福、富贵吉祥在传统的神韵中多了几分现代气息。符号性少了，生活性多了，寓意性淡了，审美性强了，这也是现代人对传统文化的选择。（文/潘鲁生，中国文联副主席、山东工艺美术学院院长）

Her style focuses on color perception and use of strong colors, and how to make full play of the richness, layers, flexibility and texture of oil colors in creating Chinese art images. It is a task of hers to realize natural integration of the two, rather than deliberate manufacturing. The themes from her works, such as four flowers, turtle and flowers, kids and blessings, fortune and good luck, all bear a sense of modernity. It carries less symbolic and implied meanings, but more aesthetic values and closeness to life. It is a choice made of hers as a modern person on traditional culture.

花及蕾丝系列

部分作品赏析

浓郁中国风，“花的缘——王海燕作品展”将于6月10日在济南开幕