当今国内非具象艺术领域最具代表性艺术家之一 金日龙之个展将于魏画廊2023年3月23日与巴塞尔同期开幕。
One of the most representative artists in the field of non-figurative art in China – Jin Rilong’s solo exhibition will be opened at Wei Gallery on the 23rd March, 2023 at the same time as Art Basel 2023 in Hong Kong.
策展人：魏画廊团队
Curator: Wei Gallery
展览日期：2023年3月23至 4月29日
Time: 23rd March, 2023 – 29th April, 2023
地点：香港中环云咸街19-27号威信大厦地铺B
Location: Shop B, G/F, Wilson Building, 19-27 Wyndham Street, Central
预约电话 Tel: +852 2656 2908
电邮 Email: office@amandaweigallery.com
魏画廊继2019年首次金日龙个展“意象重构”，将与巴塞尔艺博2023同期展出金日龙2019至2022年的近作。此次展览“亘”，寄寓亘古不变之意境，犹如理性地欣赏艺术家恒常探究的感性世界，亦呈献了艺术家四年来的心路历程及转变。
Following the first Jin's solo exhibition "Image Reconstruction" in 2019, Wei Gallery will reveal Jin Rilong’s latest artworks from 2019 to 2022 during Art Basel 2023. This exhibition "Eternity" implies the poetic imagery of the eternal immutability, as we rationally admire the artist's sensual world that he has always been exploring, and presents his artistic journey and self-transformation of the past four years.
届时金日龙新书《非具象艺术25年》亦会与展览同期发布。除新书发布之外，魏画廊还将邀请艺术家亲临现场举办讲座，敬请期待。
Artist Jin Rilong’s new book “25 Years of Non-figurative Art” will also be published during the exhibition. Apart from the publication, Wei Gallery is delighted to invite the artist to the gallery for holding the art talks. Please stay tuned!
金日龙《非具象艺术25年》作品集
实象·幻象·心象
“Image · Illusion · Imagery”
以丰富的人生阅历为艺术灵感，加以跨界的实践经验，金日龙的艺术创作别具一格。早年的中央美术学院油画学习经验，为他打下扎实的写实功底。后又赴韩留学，涉猎影像与装置艺术及抽象艺术创作。作品著重于画面的意境和冥想中的光，金日龙所绘的亦不是具象物体所折射的光，而是抽象心灵中那一缕隐喻的光。他对自我和艺术的不断探究，延续和创新了艺术的生命力。特别的时代背景和学习经历，亦造就了他作品中蕴含的一些西方艺术家所不具备的能量和冲击力。
Jin Rilong’s unique art style was inspired by his rich life experience and interdisciplinary practical experience. His early learning experience of oil painting at the Central Academy of Arts has laid a solid foundation for his realistic painting. Later, he went to South Korea to study video installation and abstract art. His works focus more on the artistic conception and the vision of light through meditation. Jin Rilong’s painting is not about the physical light reflected by the concrete objects, but the metaphorical light in his mind. His unremitting exploration of self and art has extended the vitality of his art creation and innovations. At the same time, his unique cultural background and learning experience granted him an extraordinary energy and visual impact distinct from the western artists.
《天地玄黄-日记（六）》 布面丙烯 60cm × 60cm 2019
在抽象艺术中融入东方千年文化的独特精神内涵是他的一大特色。画面构图予人鲜明的整体感，细节处理别出心裁。
精雕细刻的白—— 极简理性
Finely carved white -- minimalist rationality
金日龙说：“越简单的画面越不能空洞，就算是简单的一块白，也要考虑这块白能不能让人看得进去。”;“越是无形象的画难度越大。”
Jin said: "The simpler the picture, the less empty it shall be. Even if it is a simple piece of white, we should consider whether this piece of white could fit in." "The more non-figurative the painting becomes, the more difficult it is."
《自约 (五)》 布面丙烯 50cm × 100cm 2020
作品语言趋于含蓄，具有细腻、微妙、内在化的艺术形式。
从学理和艺术的角度构成自己的抽象艺术理念，以减法的方式使画面回归单一。简约趋于理性，使画面感性的一面在极度理性的控制下流溢出来。通过色彩与线的流动，向读者传递意识感受，以笔触雕刻隐晦的内心世界。
From the academic and artistic perspective, Jin had constructed his own concept of abstract art by minimizing the painting in a simple and rational way. He releases the perceptual side of artwork from the extreme control of rationality. Through the flow of colors and lines, his hidden inner world is depicted, carved by the brushstrokes, and conveyed to the readers.
虽然搬离了物件，但他的画面兼备对于饱和度、深度、空间及厚度的思考。不同于写实，非具象完全依靠自己构造画面。这种超脱了物体的固有形态、比写实更加具象的形而上的艺术形式，呈现了作著全身心投入的情感流露。其色彩的层次感、色彩的调性，以及人体自然的律动造成画面的痕迹，是具有即时性、自然性，超乎人为控制的创造。抽象的画面语言是他的性格、经历、情感的呈现，是作画时内心迸发的情感，一跃而出的源泉。抽象画面在作者的精神世界重构，以达至身心的澄明、精神的安宁与灵魂的超越。
Although extricated from substantial objects, Jin Rilong’s paintings unite his understanding of saturation, depth, space, and thickness. Unlike realism, non-figurative art relies on the artist himself to construct the frame. This metaphysical art form transcends the inherent form of objects and is more concrete than realism. It presents the artist's emotional outpouring during the immersive process of drawing. The layers, tonality of colors, and the natural rhythm of the human body leave traces of brushwork, which are instantaneous and natural creations beyond control. The painting is reconstructed in the author's spiritual world in the process of achieving clarity of mind, peace of spirit, and sublimation of the soul.
陌生化与间离
"Defamiliarization and Alienation"
受德国戏剧家及诗人贝尔托·布莱希特（Bertolt Brecht）关于“陌生化”理论的影响，金日龙创造了“四拼一”的形式，以四个画面或二个画面的间离产生陌生化，以此有意掐断观众进入画面时的规范惯性的思维。使观众能够独立思考重新认识画面，希望观者各自有不同的感受引入至作品中。
Influenced by German dramatist and poet Bertolt Brecht's theory of "defamiliarization", Jin Rilong created the form "four into one", which constructs defamiliarization by separating the frame into four or two squares, as to intentionally cut off the audience's normative and habitual way of thinking when interpreting the piece. The artist enables the audience to think independently and re-interpret the picture, hoping that different feelings can be aroused in the audience when viewing his artworks.
《 恒(六) 》 布面丙烯 60cm × 60cm 2021
乍看引人注目，细观回味无穷。看似随意确是长期积累的艺术经验的自然流露。
抽离物象
“Separated from image”
抽象派先驱康定斯基在《点．线．面》书中提到：“抽象艺术植基在色彩和形体的协调关係，必须抽离物象。”
The pioneer of Abstract art Kandinsky mentioned in his “Point and Line to Plane”: "Abstract art is based on the harmonious relationship between color and form and must be separated from the image."
运用点、线、面展现东方思想，融合色彩构成抽象画面，画幅不大却感情真挚、语言细腻，从民族文化到关注人类精神世界, 金日龙对空间的处理，有著强烈的超现实的情感表达。他的作品不限于平面的具象绘画与抽象绘画，在技法材料的不断拓进，从当代装置到数字多媒体的结合，亦是对传统文化与当代艺术融合的考察。
Points, lines, and surfaces display Oriental thoughts, combining colors to form abstract pictures. The painting is not large, but the feelings are sincere; the language is delicate. From ethnic culture to the care for our spiritual world, the way Jin Rilong addresses the space is a surreal expression of strong emotions. His works are not limited to flat, figurative and abstract style, but he continuously expanses the techniques and materials, from contemporary installation to digital multimedia which demonstrate his investigation of traditional culture and contemporary art.
《 重构(七) 》布面丙烯 30cm × 30cm 2022
在处理抽象绘画的语言过程中，自然流露他心中对人与自然的质朴情感，反映了他对真、善、美的真切追求。（来源：魏画廊）
艺术家简介
金日龙
中央美术学院油画系（五工作室）教授、博士生导师
教育部高等学校教学指导委员会(动画、数字媒体专业)副主任
中国美术家协会 动漫艺术委员会 副主任
2001- 2005就读于韩国弘益大学校 博士生院 美术学 获博士学位
1996 - 2000就读于韩国国立首尔大学校 研究生院 获硕士学位
1982 - 1986就读于中央美术学院油画系 获学士学位
