【编者按】12月15日，“瓷的旅程——2023景德镇国际陶瓷艺术双年展”在景德镇陶瓷大学开幕，本次展览共收到来自全球48个国家的1803件陶瓷作品，展览时间为2023年12月15日——2024年6月15日。作为本次展览的总策展人吕品昌和 Torbjørn Kvasbø有很多话想说，让我们一起跟随他们踏上“瓷的旅程”，求索“瓷的精神”……
2023年，我们如约而至。延续着“瓷的精神”之精神，我们再次踏上新的旅程，开启“瓷的旅程”新的探索。
先秦《离骚》云“路漫漫其修远兮，吾将上下而求索”，正是我们陶艺人的执念与写照。
千年前，“海上丝绸之路”打通了东西方物质与精神文明的交流途径，让中华民族的灿烂文化得以喻晓世界。陶瓷作为我国最重要的发明创造之一，早已成为了我们国家的体面和象征，“China”之呼所到之地无不趋之若鹜，这是何等的荣光和骄傲！十年前，随着“一带一路”文化战略的提出，国家另辟蹊径，开创了一种新的“丝路精神”，寻求了一条当代东西方文化交流的新出路。陶瓷作为一项重要的文化产业输出项目，最早融入到世界贸易的共同体，中华陶瓷文化的意义被新的时代重新定义。
五年前，景德镇迎来了前所未有的新机遇，“景德镇国家陶瓷文化传承创新试验区”项目的落实与建设，为景德镇陶瓷产业确立了全新的方向和规划，景德镇扮演了对外文化交流平台的新角色，重新确立了其作为龙头陶瓷产区的新的作用和地位。
两年前，“瓷的精神”—2021景德镇国际陶瓷艺术双年展的成功举办，是新时代文化精神的必然要求，是“丝路精神”的延续和顺承，是对“一带一路”政策的响应，更是“景德镇国家陶瓷文化传承创新试验区”工程的具体执行，为不同国家与地域之间的陶瓷文化的交流，开辟了新的模式和参照。
景德镇作为一个历史悠久的陶瓷之都，蕴含着中国传统陶瓷文化的深厚底蕴，是世界陶瓷艺术的重要发源地之一。本次双年展以景德镇为地理中心，以“瓷的旅程”为主题，带领我们踏上一段关于文化、时间、空间、心灵和未知的旅程：
文化之旅——旅程是一段生产和追溯文明的过程。泥与火承载着人类文明的起源与发展，其中的文化价值和意义早已不言而喻。“瓷的旅程”不仅传达着传承与创新精神，也传达着独立的思想与学术精神，更重要的是传达着不同文化之间的平等对话与交流精神。灿烂的陶瓷文化不只是技术和艺术的发展史，也是各民族生活方式、宗教信仰、审美观念的文明史。当代各国陶艺家对于陶瓷本体语言的重新解读，是多种文化之间的碰撞，也是一种自由思想的遨游。
时间之旅——旅程是一段时代变换和感悟光阴的过程。陶瓷艺术贯穿了人类历史的长河，从原始时期的陶器到多样化的当代陶艺，陶瓷艺术在不同文化背景下孕育了不同的艺术风格，在几千年的时间旅程中不断地演变和发展。它承载着不同时代人的理想和追求，留下了一段段的美好与记忆。从传统技艺到当代艺术实验，是一个承袭的过程，也是一个变革的过程，陶瓷以物质载体的形式穿越时空，感受不同时代的文化姿态与变迁。
空间之旅——旅程是一段跨越时空和消融距离的过程。“丝绸之路”精神的延续和“一带一路”倡议的实施，让不同国家之间的心理距离越来越近，文化交流与合作更加紧密。全球化趋势使得世界各民族不断融合，陶瓷在其中成为沟通世界的独特艺术语言。景德镇作为世界最重要的陶瓷文化产区，承办此项重要的陶艺展览赛事，将世界最优秀的陶瓷艺术作品“旅行”至此，展览将不同的空间个体，链接于相同的空间之中，彼此感受各自不同的思想碰撞与融合。
心灵之旅——旅程是一段感知世界和认知自我的过程。艺术创作永远离不开艺术家的个体表达，陶瓷艺术家们用诚心与灵感创作出了令人惊叹的艺术作品。他们通过对陶瓷材料的探索与实验，将自己的情感融入作品之中，陶瓷作品不仅是可感知的视觉艺术，更是艺术家心灵的抒发。在每一件作品的背后，何尝不是一次心灵的旅程。其中，有对材料的认识、艺术的思考和技艺的探索，而在观者的旅程中，有对艺术的感知、情感的共鸣和个人心灵的涤荡。
未知之旅——旅程是一段寻求可能和探索未知的过程。陶瓷材料有着无限的可能性和未知的实验空间，这是陶瓷艺术的本体魅力之所在。科技发展、技术进步和学科反哺，都在不断的拓宽陶瓷材料的边界和维度，同样，此次“瓷的旅程”双年展正是在未知的域界之中，不断前行与求索。“千里之行，始于足下”，人类的每一次进步，离不开无数个体一步步地努力实践。我们今天所尽的绵薄之力，一定是未来陶瓷艺术繁荣昌盛的推动力量的一环。
旅程的意义重在过程，在过程中摸索，在过程中成长，在过程中升华。经过2021年第一届景德镇国际陶瓷艺术双年展的成功举办，让我们更深刻的理解陶瓷艺术创作传统和创新的根源在哪里，感受到艺术文化交流的意义和价值，更让我们明白传播陶瓷文化的责任和使命。“瓷的旅程”同样是一条“修远之路”，充满着困难和挑战，需要我们不断地坚持、创新和超越。同时它也是一条求索之路，充满着未知和希望，需要我们不断地尝试、探究和实现。未来是可知与未知的交织构成，我们难以预知未来，只能以有限的可知去书写陶瓷的未知，以人类的渺小去书写宇宙的伟大，面对人类陶瓷文化的璀璨历程，莫不是秉承谦卑与敬畏之心去“求索”万物的旅程。
和第一届“瓷的精神”双年展一样，此次“瓷的旅程”—2023景德镇国际陶瓷艺术双年展仍然是由我和国际陶艺学会（IAC）主席Torbjørn Kvasbø先生共同策展。我们一直秉承“瓷的精神”之精神和IAC宣言之宗旨，为传递各自民族文化精神和世界陶瓷文化的共同繁荣而努力。“瓷的旅程”是关于陶瓷文化艺术发展、创新和融合的探寻之旅，也是景德镇国际陶瓷艺术双年展的求索之旅。
在“瓷的旅程”双年展举办之际，我们同时推出了系列特别展、平行展，以及高端学术论坛与之相呼应，包括特别展《多元的世界——2023拉丁美洲当代陶瓷艺术邀请展》《张力——2023巴西当代陶瓷艺术邀请展》、平行展《物象的形态--2023国际当代陶瓷绘画提名展》《黏土与世界--2023国际优秀陶瓷电影展播》，以及《“机遇与挑战”——2023“一带一路”国际陶瓷教育联盟第二届国际高峰论坛》等一系列的学术活动。
本届“双年展”首次设立了最高奖项“景蓝奖”，“景蓝”代表了景德镇那一抹青花之蓝、代表了中国文化走向世界、走向深蓝的海洋之蓝、还代表了创新精神的本色，更是青出于蓝而胜于蓝的逐梦舞台，代表了天高任鸟飞之天蓝。
“双年展”的未来在高品质、国际化，更重要的是可持续，我们要一届一届的做、一代一代的做、一张蓝图绘到底，只有这样，才能够把景德镇陶瓷、把中国陶瓷的这张“靓丽的名片”擦的更亮。
“瓷的旅程”—2023景德镇国际陶瓷艺术双年展总策展人
吕品昌 Torbjørn Kvasbø
2023年11月22日
In 2023,we reunite once more,carrying forward the spirit of ceramics as we embark on a new journey of ceramics.
“Li Sao”,a pre-Qin Dynasty poem,states,“The way forward,long and tight;I search for the ideal,far and wide.”This is also the vision and commitment of contemporary ceramic artists.
More than one thousand years ago,the Maritime Silk Road opened up channels for the exchange of material and spiritual civilizations between the East and the West,allowing the splendid culture of the Chinese nation to illuminate the world.As one of China’s most significant inventions,ceramics has long become the pride and symbol of our country.The call of“china”echoes far and wide,attracting attention worldwide—a source of great glory and honor.Ten years ago,with the proposal of the“Belt and Road”initiative advocated by General Secretary Xi,our country has brazed a new trail,creating a fresh“Silk Road Spirit”and seeking a contemporary approach for cultural exchanges between the East and the West.As a pivotal cultural industry export project,ceramics was among the first products to be integrated into the world trade community.As a result,the Chinese ceramic culture has gained a renewed significance in this new era.
Five years ago,Jingdezhen embraced unprecedented opportunities.The initiation and construction of the“Jingdezhen National Ceramic Culture Inheritance and Innovation Pilot Zone”project marked a new trajectory for the development of Jingdezhen’s ceramic industry.This endeavor has established a fresh platform for international cultural exchanges,propelling Jingdezhen into a prominent role as the leading ceramic production area in China.
Two years ago,The Spirit of Ceramics:the 2021 Jingdezhen International Ceramic Art Biennale marked a significant milestone.The biennale was a natural expression of the cultural spirit of the new era,a seamless continuation and inheritance of the“Silk Road Spirit,”and a response to the“Belt and Road”initiative.This response materialized through the implementation of the“Experimental Zone”project,which has not only opened new avenues but also provided valuable references for the exchange of ceramic culture among different countries and regions.
Jingdezhen,a city born and thriving from porcelain,holds a rich legacy of traditional Chinese ceramic culture and stands as a significant birthplace of global ceramic art.Centered around Jingdezhen and themed The Journey of Ceramics,this Biennale invites us on an exploration encompassing culture,time,space,soul,and the unknown.
Journey of Culture The cultural journey is a progression of creating and tracing civilization.Clay and fire bear the genesis and evolution of human civilization,and their cultural value and significance have been unmistakable throughout history.The Journey of Ceramics not only conveys the spirit of inheritance and innovation,but also embodies independent thought and academic spirit.More importantly,it conveys the spirit of equal dialogue and exchange between different cultures.The splendid ceramic culture is not just the history of the development of technology and art;it is also a history of the civilizations of various ethnicities,their ways of life,religious beliefs,and aesthetic concepts.The contemporary reinterpretation of the inherent language of ceramics by artists from different backgrounds is a collision between multiple cultures and an unfettered exploration of thought.
Journey through Time On the“journey through time”,we witness the shifts in eras and contemplate the passage of time.Ceramic art has woven itself into the extensive tapestry of human history,progressing from primitive pottery to the varied contemporary ceramics we see today.In diverse cultural settings,ceramic art has fostered distinct artistic styles,persistently evolving and flourishing over millennia.It encapsulates the ideals and aspirations of people across different epochs,leaving behind instances of beauty and cherished memories.Transitioning from traditional craftsmanship to contemporary artistic experimentation is both an inheritance and a transformative process.Ceramics,as a tangible medium,traverses space and time,allowing us to feel the cultural postures and transformations of different epochs.
Journey across Space This journey is a voyage of transcending time and space,bridging gaps along the way.The continuation of the“Silk Road Spirit”and the implementation of the“Belt and Road”initiative have brought us closer,fostering tighter cultural exchange and cooperation.As globalization facilitates the fusion of diverse ethnicities,ceramics has evolved into a distinctive artistic language for global communication.Jingdezhen,as a global hub for ceramic production,plays host to this notable ceramic art exhibition,bringing the world’s premier ceramic artworks on a captivating journey here.The exhibition interlaces distinct spatial entities within a shared space,enabling a collective encounter where diverse thoughts collide and coalesce.
Journey of the Soul On this journey,one gains insights into the world and discovers oneself.Artistic creation is intimately tied to the individual expression,and ceramic artists,driven by sincerity and inspiration,have crafted remarkable works.Through exploration and experimentation with ceramic materials,they infuse their emotions into their creations.Ceramic works transcend mere visual perception;they embody an expression of the artist’s soul.Behind each piece lies a spiritual odyssey,involving an understanding of materials,artistic contemplation,and mastery of skills.Simultaneously,in the viewer’s journey,there is an appreciation of art,a resonance of emotions,and a purification of the soul.
Journey into the Unknown This journey is a process of seeking possibilities and exploring the unknown.Ceramic materials offer infinite potential and an experimental space of the unknown,constituting the intrinsic charm of ceramic art.Technological advancements,progress in techniques,and reciprocal contributions from various disciplines continually expand the boundaries and dimensions of ceramic materials.Similarly,The Journey of Ceramics is an ongoing exploration within the realm of the unknown,advancing and seeking.As the saying goes,“A journey of a thousand miles begins with a single step,”and every step of human progress relies on the diligent efforts of countless individuals.The modest contributions we make today are undoubtedly a part of the driving force for the future prosperity and flourishing of ceramic art.
The heart of the journey resides profoundly in the process—within the exploration,growth,and sublimation that unfolds along the way.Following the successful staging of the inaugural Jingdezhen International Ceramic Art Biennale in 2021,we have gained a profound understanding of the roots of both traditional and innovative ceramic art creation.This experience has allowed us to appreciate the significance and value of artistic and cultural exchange,enlightening us about the responsibility and mission inherent in spreading ceramic culture.The Journey of Ceramics is,likewise,a“road to distant places,”fraught with difficulties and challenges that require our persistent dedication and innovation.At the same time,it is a path of exploration,brimming with unknowns and hope,demanding continuous efforts,inquiries,and realizations.The future is a weave of the known and unknown,and while we cannot predict it entirely,we can inscribe the unknown of ceramics with our limited knowledge.As we document the magnificent voyage of ceramic culture,let us approach it with humility and reverence,embarking on a journey of exploration that will never end.
Much like the inaugural The Spirit of Ceramics,the upcoming The Journey of Ceramics,the 2023 Jingdezhen International Ceramic Art Biennale,continues to be co-curated by Mr.Torbjørn Kvasbø,President of the International Academy of Ceramics(IAC),and myself.We remain committed to the spirit of ceramics and the principles outlined in the IAC declaration.Our endeavors are focused on conveying the essence of our respective national cultures and fostering the mutual prosperity of global ceramic culture.The Journey of Ceramics embodies an exploration into the development,innovation,and integration of ceramic culture and art.It serves as an exploration for the Jingdezhen International Ceramic Art Biennale itself.
During this Biennale,we are pleased to present a series of special exhibitions,parallel exhibitions,and high-level academic forums.This includes special exhibitions such as“The World of Diversity:2023 Latin American Contemporary Ceramic Art Invitational Exhibition,”“‘Expanding’-2023 Brazilian Contemporary Ceramic Art Invitational Exhibition,”parallel exhibitions like“Form of Objects 2023 International Contemporary Ceramic Painting Nomination Exhibition,”and“Clay and the World:2023 International Ceramic Film Screening.”Additionally,we are hosting the“Opportunity and Challenge:2nd International Forum of Ceramic Road International Ceramic Education Alliance,”along with a range of academic activities.
This edition of the Biennale introduces the prestigious“Jinglan Award”for the first time.“Jinglan”symbolizes the cobalt blue of Jingdezhen,representing not only the traditional blue-and-white porcelain but also China’s cultural outreach to the world,venturing into the deep blue oceans and embodying the essence of innovation.It serves as a platform where innovation surpasses tradition and symbolizes the boundless aspirations like the clear blue sky.
The future of the Biennale lies in maintaining high standards,internationalization,and,most importantly,sustainability.We aim to build upon each edition,generation after generation,and fulfill our blueprint comprehensively.In doing so,we will polish the“calling card”of Jingdezhen ceramics and Chinese ceramics even brighter.
The Journey of Ceramics—2023 Jingdezhen International Ceramic Art Biennale
Curators:Lyu Pinchang,Torbjørn Kvasbø
November 22,2023
（来源：景德镇陶瓷大学）
艺术家吕品昌简介
吕品昌，1962年出生于江西上饶，1982年毕业于轻工业部景德镇陶瓷学院雕塑系，1982—1983年浙江美术学院雕塑系学习深造；1988年获硕士学位。现任景德镇陶瓷大学党委副书记、副校长（主持行政工作）；江西省美术家协会主席；中国城市雕塑协会副主席；中国美术家协会理事、国家重大主题美术创作委员会委员、中国美协雕塑艺术委员会副主任、秘书长；全国城市雕塑指导委员会艺委会委员副主任；中国雕塑学会副会长；中国文促会陶瓷专业委员会主任/雕塑专业委员会委员；中国艺术研究院中国雕塑院特聘雕塑家；中国国家画院雕塑院特聘雕塑家。曾任中央美术学院造型学院副院长、雕塑系主任。1992年起享受国务院“政府专家津贴”；国际陶瓷协会（IAC）会员。
